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If you agree, we’ll also use cookies and data to:In this version of Christ's crucifixion, based on the New Testament, Judas expedites the downfall of Jesus (Jim Caviezel) by handing him over to the Roman Empire's handpicked officials. Actually it's the whole West which became sick and immoral since it turned its back on religion and Jesus Christ. By the way, talking of the cast of 'The Passion', some members of the cast converted during its filming, and later some people who watched the film have reported miracles.
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I prefer to evaluate a film on the basis of what it intends to do, not on what I think it should have done. It is clear that Mel Gibson wanted to make graphic and inescapable the price that Jesus paid (as Christians believe) when he died for our sins. Anyone raised as a Catholic will be familiar with the stops along the way; the screenplay is inspired not so much by the Gospels as by the 14 Stations of the Cross. As an altar boy, serving during the Stations on Friday nights in Lent, I was encouraged to meditate on Christ's suffering, and I remember the chants as the priest led the way from one station to another: Demon hunter apk offline mod.
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For we altar boys, this was not necessarily a deep spiritual experience. Christ suffered, Christ died, Christ rose again, we were redeemed, and let's hope we can get home in time to watch the Illinois basketball game on TV. What Gibson has provided for me, for the first time in my life, is a visceral idea of what the Passion consisted of. That his film is superficial in terms of the surrounding message -- that we get only a few passing references to the teachings of Jesus -- is, I suppose, not the point. This is not a sermon or a homily, but a visualization of the central event in the Christian religion. Take it or leave it.
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David Ansen, a critic I respect, finds in Newsweek that Gibson has gone too far. 'The relentless gore is self-defeating,' he writes. 'Instead of being moved by Christ's suffering or awed by his sacrifice, I felt abused by a filmmaker intent on punishing an audience, for who knows what sins.'
This is a completely valid response to the film, and I quote Ansen because I suspect he speaks for many audience members, who will enter the theater in a devout or spiritual mood and emerge deeply disturbed. You must be prepared for whippings, flayings, beatings, the crunch of bones, the agony of screams, the cruelty of the sadistic centurions, the rivulets of blood that crisscross every inch of Jesus' body. Some will leave before the end.